Reding41
In deep
The Nolla mosaic floor as a jewel element of this house has marked the interior design project throughout the home, and despite the fact that not all the rooms have this type of floor, it is present in most of the house. In a previous post, we told talked about what it is and the history behind this high-quality ceramic flooring, and how its use and recovery has become the goal of many architects and interior designers in recent years.
When selecting the furniture for the living room, and following the premise of giving maximum prominence to the Nolla mosaic, we selected furniture from the firm Pianca: light, hanging, with raised legs, to respect the floor as much as possible.
The fabrics are from the firm Casamance, and we chose a neutral tone for the sofa so that the tones of the Nolla mosaic would stand out. Touches of blue and earth on the cushions, the same shades of the floor. Considering this floor a jewel, we must also be careful when selecting the rugs, hence the neutral tone with a vintage finish. The coffee tables, also from the firm Pianca, have a minimalist aesthetic, and give a modern touch to the room.
We have not used curtains because we did not want to cover the wonderful windows, and they have Majorcan shutters in case it is necessary to block out the light. As we already told you, the windows and doors are the original ones of the house and we decided to preserve and recover them (in a previous post we told you about the process of recovering the doors and windows). The view is also wonderful, since the "Palacio de la Tinta" is in front, a building of French influence built in 1908, so the feeling when looking through the windows of the room is to be in the romantic city of Paris.
We selected the paintings of the entire house with the help of Marta del Corral, renowned cultural manager of Malaga, and we wanted artists from Malaga to culminate our interior design project with their work.
The two paintings in the room are by Enrique Brinkmann, born in 1938, and whose work is part of relevant institutions and museums such as the MOMA in New York, "Dots and Stains in Positive" (2014), and "Dots and Stains in Negative" (2014).
